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KATRINA & THE LOST CITY OF NEW ORLEANS by Rod Amis New Orleans is the Lost City of America. Rod Amis, publisher of G21: The World's Magazine, once believed one of the best bartenders in New Orleans, tells the story like no one else could. A portion of the proceeds of this book will go to the New Orleans Hospitality Workers Fund. The cooks, servers and restaurant workers of New Orleans have provided fabulous times and memories for millions. Now we must remember them in their time of need.
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AFRICA FRESH! New Voices from the First Continent
An anthology of African writing only featured on the Internet until now, this book features the collected works of writers for the G21 AFRICA section of G21.net. The eight writers represented here are from around the continent and present an exciting look at cutting-edge fiction and reporting from the first continent today. Buy the book or get a downloadable PDF copy now! |

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Established on the WWW 1996 Issue #461: ELEVEN YEARS OF EDGE G21 AFRICA STEVE OGAH, Nigeria G21 AFRICA X.N. IRAKI, United States JOIN OUR MAILING LIST. It contains more jokes than not. G21 MIDEAST AJ, Kenya RECOMMENDED DAILY REQUIREMENT DANIEL PATRICK WELCH, United States SMOKE & MIRRORS ROD AMIS, G21 World HQ TABLOID HART THOMAS HART, United States VOX POPULI YOU, The World THE PREVIOUS EDITION MEET THE G-CREW! These are the people behind this jam-band every week. HOME TABLE OF CONTENTS & BACK ISSUES WHY should you advertise here? We'll tell you. Send Page To a Friend We know you're lazy. Here's a button for a quick translation of this page. Just click on the flag for your country. You're welcome! OR TRY THIS GOOGLE TRANSLATION SERVICE. |
G21 AFRICA - G21 INTERVIEWS: MORDI OCHI - Nigerian writer STEVE OGAH brings us an African poet of style to talk about his work as part of our anniversary celebration.Lagos, NIGERIA - G21: MORDI, YOU ARE ALSO CALLED "STORY CHILD".PLEASE TELL US ABOUT THE NAME?
Steve Ogah MO: To be honest, the name Storychild carefully evolved from the totality of my existence [until this] date. I have a habit of telling stories, right from a tender age. I have since developed that from what could be termed kindergaten-prose to a developing writing skill of prose and poetry. The name was simple coined from the act of telling stories. I am a child, because i believe in a creator who would forever be my supreme father.
G21: HOW HAS THIS NAME INFLUENCED YOUR WRITINGS?
MO: I would use the Shakesperean line: what is in a name? It has a power to make the bearer live according to its will. If I am a true Story-child then I must always have stories on my lips or on the tips of my pen, shouldn't I? Internationally it has brought me recognition as I did my first poe try performance soon after I created the name Storychild after my being. As long as I exist, stories would exist.
G21: THE PACET IS A STYLE OF WRITING YOU HAVE DEVELOPED.WHAT WAS THE IMPULSE BEHIND THIS DEVELOPMENT?
MO: Prior to developing this style has been the incessant worry of how to uplift the falling tower of poetry in the world today. As I had once read that with originality and creativity the world would forever remain young, I cleverly decided to bring to poetry a style, original and creative enough to rejuvenate the reading and writing concentration of poets and other literal writers. I just wanted to create an appeal with Pacet.
G21: HOW ARE YOUR READERS RESPONDING TO YOUR UNIQUE STYLE?
MO: I have won a British Council award with a poem written in this style and this tells me it certainly has a friends out there. They find it a piece of genius. My mentor, Dinesh Allirajah could testify to this.
G21: DO YOU THINK YOU CAN SUSTAIN THIS MODE OF POETRY OVER A CONSIDERABLE PERIOD?
MO: Well, if Beethoven didn't have to stop composing after he wrote or performed his first symphony and the world now shelved hundreds of his works then I think I still have lots to give to the world of poetry. I only hope that I have as many well-wishers as I have well-critics.
G21: YOU HAVE READ YOUR WORKS IN THE UNITED KINGDOM AND IN NIGERIA. HOW HAVE YOU BEEN RECEIVED?
MO: I would congratulate greatly, Mr. Dinesh at this point. He has been a major contributor to my international performances in the UK. He has been encouraging me and he seriously believes I could do better. As for my home crowd, they are yet to approve of the prophet in his hometown!
G21: IN VIEW OF THE FACT THAT YOU ARE A PARTICIPANT IN THE CROSSING BORDERS WRITING PROJECT,WHAT WOULD YOU SAY IS THE MOST MEMORABLE THING YOU LEARNT?
MO: ... I still do hope something as literal and didactic as Crossing Borders is initiated once again.
G21: DO YOU THINK THIS PROJECT NEEDS TO BE SUSTAINED FOR A LONG TIME?
MO: Yes I do.
G21: WHAT SUSTAINS YOUR INTEREST IN WRITING WHEN YOU CONSIDER THE POPULAR VIEW THAT NIGERAINS RARELY READ POETRY?
MO: I thank God that I am a poet. The lines in me want to live their lives from the pages and most often from the mic. I am really not too bothered if I am read, I am only bothered when I don't write!
G21: WHAT ARE YOU WORKING ON AT THE MOMENT?
MO: I am involved in a broadcasting course at the moment. I want to develop my diction and learn how to speak right especially the British way. I have a great passion for broadcasting and I am presently staying tuned!
G21: BRIEFLY, WHERE DO YOU SEE THE PACET FORM OF POETRY YOU HAVE DEVELOPED IN THE LANDSCAPES OF WORLD LITERATURE.WILL IT BE WIDELY ACCEPTED?
MO: Like I earlier said, I have won awards with them and I would win more awards with them. And if the awards keep coming, then surely the audience would remain inquisitive and interested. I always wish?myself the best.
G21: WE THANK YOU FOR FINDING TIME FOR US AT G21.
MO: You are most welcomed.
© 2007, GENERATOR 21.
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